I’ve been so busy since I retired, I’m thinking of going back
to work to get some rest. I’ve got so many irons in the fire that the
local blacksmith union has filed a protest. I’m busier than a one armed
paperhanger at a butt-kicking contest. To begin with there is the
CompSci class I’m taking at Stanford University on-line. Just trying to
keep up with those precocious twenty something’s is taking considerable
effort and study. I’m knocking the cobwebs out of the knoggin, and I’ve
filled a notebook with math scribbles and started on a second.
I’m
currently in the middle of an annual task where I produce a music CD
for a children’s dance troupe. I’ve done this for the last several
years. The choreographer selects the music off YouTube and indicates the
exact time range needed. For example, 2:12 – 3:49, of a particular
selection. I record the selections, edit them to the length and time
codes requested, do some level setting and audio processing, add fades
where requested, and burn a CD that they use in their performance. There
are usually a couple of iterations and refinements as dance practice
progresses. I think I burned the final CD last night.
I’ve
also got a batch of interviews from Denver Seminary and a two camera
shoot of a blue grass show I’m working on for video and a couple of
other photographic projects.
I’ve got my regular chores
like walking the dog, going to the gym, and going out to eat — those
seriously cut into my time. Plus there’s the complete Perry Mason
collection from the late fifties that Linda and I are viewing in the
evenings. What with trips to the store and the mall and paying the
bills, I’ve hardly got a minute of free time.
Then my long
time friend Ron sends me a wonderful CD done by George Martin and his
son that has me re-listening to my entire Beatles catalog trying to
match all the music bites to the original source … this is exhausting.
Then EMI releases a Smile Sessions compilation and box set, and I’m off
to my collection of music and books to dig deeper into the life and
times and music of Brian Wilson in my continuing journey to emphasize
the contrast between The B’s and The BB’s.
My before
mentioned friend Ron is a serious vinyl collector, and, with the help of
the internet and EBay, he has amassed a critical collection of Beatles
sounds, and now he’s suggesting Smile bootleg disks to me. It is
only natural that, over all those years that Smile
was just a rumor, an anxious listening public wanted to find out what
it was all about. Of course, “it” was not complete. Even the extant
playlist, which never promised to give the song order, turned out to not
be a product of Brian. Finally, in 2004, Brian and his collaborators
finally produced an official Smile.
But even that
wasn’t satisfying. We really wanted to know what the product, had it
been completed back in the sixties, would have sounded like. Of course,
no-one, even Brian himself, will ever know. Smile was a work in
progress, a malleable and flexible idea that changed from day to day.
Some would argue that it was simply too ahead of the state-of-the-art,
and working with tiny snippets of music cut with a razor blade and taped
together would ever be completed. Even “Good Vibrations” was only
finished when Brian was forced to do the final mix. Who knows if he
would have ever finished it or if the version we have today is the
ultimate. (There’s a philosophical idea for you: the ultimate.)
When
I think back to my listening experiences during the sixties, I admit I
was much more impressed with the Beatles than the Beach Boys. The
Beatles seemed to be truly breaking new ground — very fresh, new ground.
Even though there were many ground breaking new musical ideas during
that time, the Beatles had the newest and freshest and most powerful
ideas. History has proven that.
The intensity with which
teenagers listen to music is typically not matched at any other time in
their lives. Before we had wives and husbands and kids and grand kids
and jobs and careers, we truly lived for our music. Nothing else was so
central in our being. The Beatles and the others were the sound track of
our lives, our teenage symphony. We listened. We absorbed. We moved in
rhythm. We were the music, and the music was us.
As time went on, I slowly discovered the original power of the Beach Boys.
I don’t exactly recall when I bought the album Surf’s Up.
It had that funny “tired indian” cover that didn’t match what you
expected from the Beach Boys. Still, the title was about surfing, so I
bought. What a surprise. Not sure I liked it at first, but it did become
more interesting over time. I had not purchased Pet Sounds when
it was first released, but after Surf’s Up, I went back in time
and bought Pet Sounds. I think that might have been the last album
I ever bought since I switched to CDs at about that same time.
In
the last fifteen or so years I’ve steadily added to my CD collection
and started filling in blanks and missing music from my teen years. Soon
I had a complete Beatles, Rolling Stone, Beach Boys, Who, Led Zepplin,
Pink Floyd, Frank Zappa, etc. collection. As I started listening more to
the Beach Boys and began comparing their musical progress to that of
the Beatles it dawned on me what I had missed in the original release
dates. I started collecting books on the Beach Boys and was particularly
influenced by Steven Gaines biography. I even began musically
deconstructing “Good Vibrations,” but I frankly have not gotten too far
on that effort.
I wrote a long note (article, monograph,
thesis, whatever) challenging serious consideration of the Beach Boys’
music. Now that Ron has re-ignited my passion for the Beatles, I’m
digging deeper into the source material of Smile.
You can read that original note I wrote over a year ago here:
I’ve got a very complete collection of books and CDs on the Beach Boys
including both the Pet Sounds Sessions CDs and several Smile
session tracks off the 30th Anniversary Beach Boys Box Set. Disk
two of that box set had a lot of previously unreleased music from Smile.
I’ve also got both the CD and the DVD from Brian Wilson’s 2004 release of
Smile. Ron told me about a recent show on Showtime called “Beautiful
Dreamer/Smile” that traced much of the history.
Many of the songs from Smile
had surfaced on other Beach Boys albums previously. The before
mentioned “Surf’s Up” and “Heroes and Villains” had reached the general
public. Smiley Smile, 20/20, Sunflower, and Surf’s Up all
contained some tracks. Then, in 1984, a tape containing a number of the
original Smile tracks made its way to the outside world. Ultimately, four collector tapes can be identified.
1)
The 1984 tape, apparently compiled at the Beach Boys request for their
personal use. Highlights included the legendary “Mrs. O’Leary’s Cow,”
“Do You Like Worms,” “Can’t Wait Too Long,” and the “Surf’s Up”
sessions. This tape served as the basis of the Smile (Version 1) bootleg LP on a fictitious Brother Records label.
2)
A tape that surfaced shortly thereafter, containing Brian’s original
version of “Wonderful,” “Child is Father to the Man,” and better quality
versions of many of the tracks on “Tape 1.” This tape became the
Smile (Version 2) bootleg LP on the fictitious Brother label.
3) A tape allegedly compiled by (and surreptitiously stolen
from) Brian’s management when a legitimate Smile Sessions
release was briefly considered in 1988. This tape contained the
legendary original versions of “Wind Chimes” and “Vega-Tables,” Brian’s
solo demo of “Surf’s Up,” and a rousing seven minutes of unreleased
“Heroes and Villains” segments. This became the basis of a
Japanese-origin Smile bootleg CD (T-2580-2) that took the Beach
Boys’ collector’s circuit by surprise in 1990.
4)
Another tape from the same source as number 3, which included the
original “I Love to Say Da Da,” “I’m In Great Shape” aka “I Wanna Be
Around” aka “The Workshop Song,” and “Barnyard.” This tape originally
appeared on a two-LP set (long live vinyl!) in 1991.
So
what is a serious, soul-searching, unemployed musicologist to do, but
find a Smile Bootlegs Discography. Ready, set, here we go with thanks to
Lee Dempsey and Elliot Kendall at Endless Summer Quarterly Magazine:
VINYL
Smile (Brother Records # ST-2580)
Side
1: Good Vibrations * Barnyard * Do You Like Worms * Old Master
Painter/You Are My Sunshine * Wonderful * Bicycle Rider * Can’t Wait Too
Long * Tones * Cabin Essence/Who Ran the Iron Horse/The Grand Coulee
Dam * Our Prayer
Side 2: George Fell Into His French Horn *
Heroes and Villains * Vega-Tables * Wind Chimes * Mrs. O’Leary’s Cow * I
Love to Say DA * Holidays * Surf’s Up * Child is Father to the Man
This
legendary first bootleg of the Smile material comes with a one-page
insert. Despite advertising to the contrary, it did not contain a full
color Smile booklet. “Wonderful,” “Heroes and Villains,” “Wind
Chimes,” “Cool, Cool Water,” and most of “Surf’s Up”/”Child is Father to
the Man” are the released post-Smile versions. “Vega-Tables” is the
Laughing Gravy (Dean Torrance) version. “Holidays” is actually a Miles
Davis track, given to the bootleggers as a practical joke.
Smile (Brother Records # ST-2580-RE-1)
Side
1: Good Vibrations * Barnyard * Do You Like Worms? * Old Master
Painter/You Are My Sunshine * Can’t Wait Too Long * Tones * Cabin
Essence/Who Ran the Iron Horse/The Grand Coulee Dam
Side
2: Bicycle Rider * Heroes and Villains * Our Prayer * Wonderful *
Vega-Tables * Wind Chimes * Mrs. O’Leary’s Cow * I Love to Say Da Da *
Child is Father to the Man
Color cover and one-page
insert. “Heroes and Villains” and “Wind Chimes” are still the release
versions. “Vega-Tables” is still the Laughing Gravy (Dean Torrence)
version.
Smile (no labels – 2 record set)
Side 1: Good Vibrations I * Good Vibrations II * Good Vibrations (Work
Pieces) * Barnyard * With Me Tonight (early version)
Side 2: Can’t Wait Too Long * Wonderful * Holidays * Vegatables (including
Mama Said) * Child is the Father to the Man
Side
3: Heroes and Villains * Do You Like Worms?/Bicycle Rider * Wind Chimes
* Cabinessence * Old Master Painter/You Are My Sunshine * Our Prayer
Side 4: Tones * Mrs. O’Leary’s Cow (Fire) * George Fell Into His French
Horn * Surf’s Up * Cool Water * You’re Welcome * Smile Promo Ad
Smile (Brother Records # ST-9002 – 3 record set)
Side
1: Heroes and Villains * Do You Like Worms? * Medley: Old Master
Painter/You Are My Sunshine * Wonderful * Child is Father of the Man *
Prayer * Cabin Essence
Side 2: Good Vibrations * Vegetables * Wind Chimes * Mrs. O’Leary’s
Cow * Cool Cool Water * Surf’s Up
Side
3: Prayer * Love to Say Da Da * She’s Goin’ Bald * With Me Tonight *
Wonderful * Child is Father of the Man * You’re Welcome * Heroes and
Villains * Heroes and Villains * Do You Like Worms? * Do You Like Worms?
Side 4: Good Vibrations * Good Vibrations * Cabin Essence * Surf’s Up *
Tones/Tune X * Tones/Tune X
Side
5: Medley: The Old Master Painter/You Are My Sunshine * George Fell
Into His French Horn * Mrs. O’Leary’s Cow * Mrs. O’Leary’s Cow *
Barnyard * The Woodshop Song * Holidays * Prayer
Side 6: Brian’s Smile Session Party
Red, green, and blue colored vinyl. Includes a full-color Smile poster
and 7 pages of session sheets.
CD’s
The Smile Era Outtakes (Quality Compact Productions # QCP 67001)
Smile
Promo Ad * Good Vibrations (diff. takes) * Do You Like Worms? * Been
Way Too Long * Tones (Tune X) * Surf’s Up (try-outs) * Surf’s Up (vocal
Brian) * Child is Father to the Man * Our Prayer * Bicycle Rider * Fire
(2 segments) * Fire (no “fire” crackling noise) * Wonderful (Brian
vocal) * Home on the Range * Barnyard * You Are My Sunshine/The Old
Master Painter
Smile (The Early Years # 02-CD 3317)
Surf’s
Up * Bicycle Rider Theme * Good Vibrations * Barnyard * Do You Like
Worm’s? * Medley: Old Master Painter/You Are My Sunshine * Can’t Wait
Too Long * Tones * Cabin Essence * George Fell Into His French Horn *
Bicycle Rider Theme * Heroes and Villains * Our Prayer * Wonderful * The
Four Elements – A)Earth: Vegatables – B) Wind: Wind Chimes – C) Fire:
Mrs. O’Leary’s Cow – D) Water: I Love to Say Da Da * Child is Father to
the Man * Surf’s Up * Good Vibrations * Smile Promo Advert
Beach Boys Good Vibrations: Smile (Sphinx # SXCD011)
Smile
Promo Advert * Good Vibrations (extended version) * Barnyard (pt 1) *
Do You Like Worms * The Old Master Painter * You Are My Sunshine *
Bicycle Rider * Can’t Wait Too Long * Tones * Barnyard (pt 2) *
Cabinessence * Our Prayer * George Fell Into His French Horn * Heroes
and Villains (extended version) * Vegetables * Wind Chimes * Mrs.
O’Leary’s Cow * Fire * I Love to Say Da Da * Holidays * Surf’s Up
(instrumental) * Surf’s Up (vocal – Brian) * Child is Father to the Man *
Home on the Range * Wonderful * Barbie * What is a You Girl Made Of?
Alive and Smilin’ (Sphinx # SXCD010)
California
Girls * Sloop John B * Darlin’ * Shortenin’ Bread * Do It Again *
Little Deuce Coupe * Skating USA (Roller Skating Child) * Peggy Sue * In
My Room * Smile Promo Advert * Good Vibrations * Bicycle Rider * Been
Way Too Long * Tones (instrumental) * Surf’s Up (tryout instrumental) *
Surf’s Up (vocal – Brian) * Child is Father to the Man * Our Prayer *
Bicycle Rider (version 2) * Fire (2 segments) * Fire (no “Fire”
crackling noise) * Wonderful (vocal Brian) * Home on the Range *
Barnyard * You Are My Sunshine/The Old Master Painter
Smile (T 2580-2)
Good
Vibrations * Holidays * Vegetables * Child is Father to the Man *
Wonderful * Been Way Too Long * Barnyard * Cabinessence * Our Prayer *
Tones * Barnyard * Heroes and Villains * Do You Like Worms? * Wind
Chimes * Mrs. O’Leary’s Cow * George Fell Into His French Horn * Surf’s
Up * The Old Master Painter * You Are My Sunshine * Cool, Cool Water
Picture disc.
Smile + Bits and Pieces (T 2580-2 – 2 CD set)
Disc
1: Good Vibrations * Holidays * Vegetables * Child is Father to the Man
* Wonderful * Been Way Too Long * Barnyard * Cabinessence * Our Prayer *
Tones * Barnyard * Heroes and Villains * Do You Like Worms? * Wind
Chimes * Mrs. O’Leary’s Cow * George Fell Into His French Horn * Surf’s
Up * The Old Master Painter * You Are My Sunshine * Cool, Cool Water
Disc 2: Smile
Promo Advert * Wonderful (Vocal) * Love to Say Da Da * She’s Goin’ Bald
* You’re Welcome * Barnyard (The Real One) * The Woodchop Song * Our
Prayer (No Overdubs) * Mrs. O’Leary’s Cow (With Crackling Fire) *
Medley: The Old Master Painter/You Are My Sunshine (Instrumental) *
Tones (Complete Version) * Cabin Essence (Early Versoion, No Overdubs) *
With Me Tonight * Heroes and Villains (Two Bits Of) * Do You Like Worms
(Version 2) * Prayer (Rehearsal) * Surf’s Up (Rehearsal) * Tones
(Rehearsal) * Don’t Talk (Pet Sounds Backing Track)
Picture disc: includes color Smile cover fold-out.
Brian Wilson – Smile (Chapter One Digital Recordings # CO 25145)
Surf’s
Up (ver. 1) * Bicycle Rider Theme * Good Vibrations * I’m In Great
Shape * Vegetables/Mama Says * Child is Father of the Man * Wonderful *
Can’t Wait Too Long * With Me Tonight * Cabin Essence * Our Prayer *
Tones * Heroes and Villains * Do You Like Worms? * Wind Chimes * Fire *
George Fell Into His French Horn * Surf’s Up (ver. 2) * You Were My
Sunshine * Water * Cool, Cool Water
The Beach Boys – The Alternative Smile Collection (Smile 9212)
Prayer
#1 * Love to Say Da Da * She’s Goin’ Bald * With Me Tonight * Wonderful
* Child is Father of the Man * You’re Welcome * Heroes and Villains #1 *
Heroes and Villains #2 * Do You Like Worms #1 * Do You Like Worms #2 *
Good Vibrations #1 * Good Vibrations #2 * Cabin Essence * Surf’s Up *
Tones/Tune X #1 * Tones/Tune X #2 * George Fell Into His French Horn *
Mrs. O’Leary’s Cos #1 * Mrs. O’Leary’s Cow #2 * Barnyard * The Woodchop
Song * Holidays * Prayer #2
Smile (Vigotone # VIGO 110/111 – 2 Cd set)
Disk
1: Heroes and Villains * Do You Like Worms? * Old Master Painter/You
Are My Sunshine * Wonderful * Child is Father to the Man * Prayer *
Cabin Essence * Good Vibrations * Vega-Tables/I’m in Great Shape * Wind
Chimes * Mrs. O’Leary’s Cow * Cool, Cool Water * Surf’s Up * Prayer * I
Love to Say Da Da * Untitled (She’s Going Bald) * Untitled (With Me
Tonight/Wonderful) * Child is Father to the Man * You’re Welcome *
Heroes and Villains (x4) * Do You Like Worms?
Disk 2: Good
Vibrations * Cabin Essence * Surf’s Up * Tones/Tone X * Old Master
Painter/You Are My Sunshine * George Fell Into His French Horn * Mrs.
O’Leary’s Cow * Barnyard * Woodshop * Holiday * Prayer * Surf’s Up * Smile Era Party
Includes a cardboard slipcase, deluxe color booklet and Smile poster.
I’m
now waiting for my deluxe box set of materials, CDs, LPs, singles, wow
... to arrive from Amazon and then I’ll start digging into the
“official” session materials. While I wait, you can go to this
website/blog and see some pictures of the box set and some of these
bootlegs. Enjoy. I’ve got work to do. Where will I find the time?!?
Read more at:
‘Smile’ – My First 25 Years : A Smile-Collector’s Fakebox
Originally written on Nov. 3, 2011.
Sunday, September 16, 2012
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